Machine Gun Cameras

Thornton Pickard

Thornton Pickard

We have well over 400 cameras on display at Seawood Photo. Many are odd and interesting, yet by far the ones that elicit the most comments are the machine gun cameras.

We have six of these unusual cameras from the U.S., England, and Japan spanning WWI to the Korean War. Perched over the camera bar, they look ominously down on the store like they are guarding the store. While they look like actual guns, they were actually used to train gunners by shooting photos instead of bullets. Crosshairs or reference lines show up on the final photographs, showing the user to see if he actually hit his mark. The cameras were sometimes mounted on aircraft to photograph aerial combat practice, or tripod mounted for ground use.

This was made in England during WWI, and is an excellent reproduction of a Lewis gun. Often seen mounted on the Sopwith Camel aircraft, or used in the trenches, this was the preeminent machine gun used by the allies. The camera uses 120mm rollfilm in the 6x4.5 format. The lens is unmarked.

This was made in England during WWI, and is an excellent reproduction of a Lewis gun. Often seen mounted on the Sopwith Camel aircraft, or used in the trenches, this was the preeminent machine gun used by the allies. The camera uses 120mm rollfilm in the 6x4.5 format. The lens is unmarked.

mgenglish1.jpg

This is an aerial version of the Lewis, with extended trigger guard to allow use while wearing heavy gloves. 120 rollfilm cartridge mounts in rear of gun. Removable drum assembly has two slots that hold spare film magazines. The Dallmeyer 12” Antistigmat taking lens is located underneath the barrel.

 
 

Rokuoh-Sha Lewis Gun

This is a Japanese copy of the Thornton Pickard. Odd that they would copy this verbatim, as the closest gun they actually used was called a Type 92, and was functionally very different in design. Also uses 120 roll film. The lens is an Optor 28.5cm f11.

Rokuoh-Sha Type 89   35mm half-frame movie camera. Large crank on the right side winds a spring that advances  the film when fired. WWII vintage. There was originally a watch under the yellow plastic  shroud on the front of the camera. Through a split-prism assembly, the watch was filmed at  the same time as the target, allowing the viewer to determine the duration of fire.  Konishoruko Mfg. Co. lens; later to become Konica.

Rokuoh-Sha Type 89

35mm half-frame movie camera. Large crank on the right side winds a spring that advances

the film when fired. WWII vintage. There was originally a watch under the yellow plastic

shroud on the front of the camera. Through a split-prism assembly, the watch was filmed at

the same time as the target, allowing the viewer to determine the duration of fire.

Konishoruko Mfg. Co. lens; later to become Konica.

Fairchild Gun Camera H2   16mm movie camera simulating a Browning .30 caliber machine gun. Taking lens is beneath  lens barrel. Lens is unmarked.

Fairchild Gun Camera H2

16mm movie camera simulating a Browning .30 caliber machine gun. Taking lens is beneath

lens barrel. Lens is unmarked.

Filmo 16mm Movie Camera   Standard Filmo 3-lens turret camera, but mounted in a rifle stock with a dot reticle gunsight.

Filmo 16mm Movie Camera

Standard Filmo 3-lens turret camera, but mounted in a rifle stock with a dot reticle gunsight.

I was curious to see how these cameras operate, so I chose the Rokuoh-Sha and the Williamson as they both use readily available film and both seemed to be in working condition. As there is no book depository or grassy knoll in San Anselmo, and as police get quite excitable when confronted with heavy machine guns, I decided it best to set these up in my own back yard. The Rokuoh-Sha is big and heavy. It is mounted on a large wood surveyor’s type tripod, and feels very solid. Film is loaded in a cassette that fits in a box between the receiver and the gun barrel. A glass plate with a grid pattern etched on it slides just in front of the film plane. The shutter is cocked and the film is advanced by pulling back on a bolt lever on the left side of the camera, as if cocking a gun. When the trigger is pulled the bolt slides forward with a loud clunk and the shutter is released.

The Williamson has a rear-mounted film cassette, and receptacles for two spare cassettes located on the drum. Operation is basically the same as the Rokuoh-Sha, but the fit and finish of moving parts is much more crude. Photographic results were rather disappointing. The Williamson shots appear as a smear of light; the shutter was obviously hanging up. The Rokuoh-Sha fared much better, but as you can see the images are soft and have very little contrast. I guess as long as they could see a target on the film the military brass was happy with these cameras. Not going to replace my Hasselblad! I’ve seen photos of a German MG42 machine gun camera…I wonder if the optics would be better?